【推荐语】
镜头拍摄技巧与叙事艺术的摄影书籍，从中能够学会摄影构图等摄影技巧
【作者】
作者BARRY BRAVERMAN是一位有着30多年电视纪录片和电影故事片拍摄经验的老牌摄影师。他的作品包括韦斯?安德森的《月升王国》（2012）、《穿越大吉岭》（2007）、国家地理频道的专题片、HBO“抢先看”和CBS星期天早新闻等。他同时也是好莱坞电影摄影师公会会员，并在世界各地举办2D和3D拍摄研讨会。他现在居住在美国加州斯蒂迪奥城。
【内容】
《拍摄者》第3版中的新内容如下： 立体拍摄技术：拍摄和制作立体内容的基础知识，以简单集成式立体摄录一体机为主。 数码单反拍摄技术：如何让这种大传感器摄像机在尽可能少的代价下获取到zui好的图像。 后期图像调整，数字滤镜、稳定器。 输出节目为Web或DVD。 思考拍摄者的职业前景——如何鉴别和获取理想的工作，如何与自大狂合作。 问答和复习内容——在每章结束后加入问答和复习内容。 无论你使用的是复杂的4K摄影机、大尺寸传感器数码单反、还是iPhone，《拍摄者》第3版中的内容都会让你受益匪浅，它能帮你把自己的设备性能zui大化，并提升你的故事讲述技巧。
【目录】
第 一章 拍摄者的视角 .......................................................................... 1
1.1 观点 ...........................................................................................................2
1.2 不再追逐彩虹 ............................................................................................3
1.3 学会身兼数职 ............................................................................................4
1.4 掌握专业技能 ............................................................................................6
1.5 新观念 .......................................................................................................8
1.6 现在人人都是拍摄者 ..................................................................................8
1.7 雇用你的客户 ............................................................................................9
1.8 你已经拥有足够的能力 ............................................................................10
第 二章 让我给你讲个故事 .................................................................. 11
2.1 如何才能把故事讲好？ ............................................................................13
2.2 清楚自己影片的类型并确保观众们也知道 ...............................................13
2.3 你的海报什么样？ ...................................................................................15
2.4 了解自己的海报简述文字 ........................................................................16
2.5 积极面对条件限制 ...................................................................................17
2.6 电影成功的原因各异 ................................................................................18
2.7 你的相对优势 ..........................................................................................18
2.8 限制你的取景 ..........................................................................................19
2.9 了解自己摄影机的动态范围 .....................................................................20
2.10 在魔幻时刻拍摄 .....................................................................................21
2.11 真实性很重要 ........................................................................................21
2.12 故事永不停歇 ........................................................................................22
2.13 职业道德很重要 .....................................................................................23
第三章 用镜头讲故事 ....................................................................... 25
3.1 现在对作品的要求仍然很高 .....................................................................25
3.2 给世界加个框 ..........................................................................................26
3.3 排除，排除，排除！ ................................................................................27
3.4 让观众们受点儿苦 ...................................................................................28
3.5 独特的视角 ..............................................................................................32
3.6 模糊、隐藏和遮挡 ...................................................................................33
3.7 关于透视 ..................................................................................................34
3.8 箱式梁桥 ..................................................................................................36
3.9 三分法 .....................................................................................................37
3.10 黄金画幅比 ............................................................................................39
3.11 引起不适 ................................................................................................39
3.12 拍摄的地方是什么类型？ ......................................................................40
3.13 拥抱经典理论 ........................................................................................41
3.14 手艺很重要 ............................................................................................43
3.15 用特写讲故事 ........................................................................................44
3.16 迂回出击 ................................................................................................46
3.17 保持拍摄尺寸一致性 ..............................................................................46
3.18 视线的力量 ............................................................................................47
3.19 拍摄对象 .................................................................................48
3.20 故事里的故事 ........................................................................................49
3.21 学会用背景讲故事 .................................................................................50
3.22 我们都是说谎的骗子 ..............................................................................51
3.23 弄清楚自己想要什么 ..............................................................................52
3.24 与自我的人一起工作 ......................................................................54
第四章 摄影师的工具箱 .................................................................... 57
4.1 你有很多选择 ..........................................................................................57
4.2 摄像机的变革 ..........................................................................................58
4.3 扫描方式的选择 .......................................................................................61
4.4 2K、4K，以及更高的分辨率 ....................................................................63
4.5 努力突破技术局限 ...................................................................................64
4.6 了解你需要的知识 ...................................................................................65
4.7 技术问题当然重要 ...................................................................................66
4.8 世界的本质 ..............................................................................................66
4.9 脑中的处理器 ..........................................................................................67
4.10 让我们体验一下模拟 ..............................................................................67
4.11 改善数字记录的质量 ..............................................................................68
4.12 一些小知识 ............................................................................................69
4.13 10-bit 工作流程 ....................................................................................71
4.14 你的摄影机符合“10 分钟法则”吗？ ...................................................75
4.15 了解传感器 ............................................................................................77
4.16 在某种程度上，传感器尺寸很重要 ........................................................78
4.17 分辨率的诡计 ........................................................................................79
4.18 人类感知分辨率的极限 ..........................................................................81
4.19 这种数字游戏接近尾声了吗？ ...............................................................81
4.20 网格里的像素 ........................................................................................82
4.21 三片式传感器VS 单片式传感器 .............................................................83
4.22 为什么要压缩？ .....................................................................................84
4.23 出于实际考虑 ........................................................................................85
4.24 冗余，冗余 ............................................................................................86
4.25 你不会错过那些你看不见的东西 ............................................................87
4.26 帧间压缩与帧内压缩 ..............................................................................88
4.27 选择帧速率 ............................................................................................90
4.28 为什么帧频有些不靠谱—是24p 但又不是24p ..................................91
4.29 24p 的种种好处 .....................................................................................93
4.30 现在你能拍摄24p 了 .............................................................................93
4.31 如果你依然喜欢SD 标清 .......................................................................95
4.32 注意了，落伍者们！ ..............................................................................95
4.33 曾几何时 ................................................................................................96
第五章 用数码单反DSLR 讲故事 ...................................................... 99
5.1 性能的问题 ..............................................................................................99
5.2 它并不是摄像机 .....................................................................................100
5.3 不只是低光照能力 .................................................................................100
5.4 负荷削减 ................................................................................................101
5.5 参数设置 ................................................................................................103
5.6 果冻效应 ................................................................................................104
5.7 浅景深：是好事还是坏事？ ...................................................................105
5.8 操控方面的挑战 .....................................................................................106
5.9 监看与回放 ............................................................................................107
5.10 声音功能不健全 ...................................................................................108
5.11 开始工作 ..............................................................................................110
第六章 观察世界的窗口 ................................................................... 113
6.1 控制画面空间 ........................................................................................114
6.2 是否需要讨好拍摄对象 ..........................................................................115
6.3 创作工具 ..............................................................................115
6.4 推拉变焦拍摄 ........................................................................................117
6.5 警惕可疑的标称值 .................................................................................118
6.6 光学变焦VS 数码变焦 ...........................................................................120
6.7 更广、更远 ............................................................................................121
6.8 低档镜头的现状 .....................................................................................122
6.9 为何廉价的镜头看起来档次低？ ............................................................124
6.10 对小光孔说不 ......................................................................................125
6.11 为什么一体式摄像机通常能拍出更好的画面 ........................................125
6.12 色像差补偿 ..........................................................................................126
6.13 试着和你的普通镜头和平相处 .............................................................126
6.14 找到镜头的**佳性能区间 ....................................................................127
6.15 不靠谱的对焦环和变焦环 ....................................................................129
6.16 电影镜头 ..............................................................................................129
6.17 诱惑力和纠结的根源 ............................................................................130
6.18 过大的景深 ..........................................................................................130
6.19 镜头适配器 ..........................................................................................132
第七章 立体拍摄者 ......................................................................... 133
7.1 3D 立体的本质 .......................................................................................133
7.2 立体是一种技术障眼法 ..........................................................................135
7.3 深度线索 ................................................................................................136
7.4 平面视觉深度线索 .................................................................................137
7.5 立体视觉深度线索 .................................................................................139
7.6 轴距VS 瞳距 .........................................................................................141
7.7 汇聚面应该设置在哪儿？ ......................................................................143
7.8 立体摄像机设置 .....................................................................................145
7.9 避免“耐药性”问题 ..............................................................................146
7.10 屏幕尺寸重要 ...............................................................................148
7.11 正确获得视差 ......................................................................................149
7.12 窗口干涉 ..............................................................................................150
7.13 关于立体故事的思考 ............................................................................150
7.14 圆度因素 ..............................................................................................151
7.15 抛弃极 端的2D 拍摄方式 .....................................................................152
7.16 裸眼立体是大势所趋 ............................................................................154
7.17 立体就此止步了吗？ ............................................................................155
7.18 立体的后期制作与输出 ........................................................................156
7.19 立体再次来袭！ ...................................................................................158
7.20 2D 转3D .............................................................................................159
7.21 制片工艺的进化 ...................................................................................159
7.22 展现未曾见过的世界 ............................................................................160
第八章 掌握与控制 ......................................................................... 161
8.1 谁会需要全自动？ .................................................................................162
8.2 打倒自动曝光 ........................................................................................162
8.3 “中国姑娘” ........................................................................................165
8.4 驾驭波形图 ............................................................................................166
8.5 考虑快门问题 ........................................................................................167
8.6 同步快门 ................................................................................................168
8.7 帧速率与故事的关系 ..............................................................................169
8.8 聚焦在重要的对象上 ..............................................................................170
8.9 这些人并不是演员 .................................................................................170
8.10 分辨率越高对焦越难！ ........................................................................171
8.11 跟焦 .....................................................................................................173
8.12 故事的白平衡 ......................................................................................174
8.13 到底用不用预置白平衡 ........................................................................174
8.14 设置手动白平衡 ...................................................................................176
8.15 不可理喻的自动白平衡 ........................................................................177
8.16 自动黑平衡 ..........................................................................................178
8.17 没有增益，就没有痛苦 ........................................................................179
8.18 控制好噪点 ..........................................................................................180
8.19 时码的沼泽地 ......................................................................................181
8.20 串行数字接口与高清晰度多媒体接口 ..................................................183
8.21 互连性与视频流 ...................................................................................184
8.22 监看你的工作 ......................................................................................185
8.23 更长时间的续航 ...................................................................................186
8.24 驾驭杂乱的取景器 ...............................................................................188
8.25 逐格摄影与延时摄影 ............................................................................189
8.26 神奇的预录制功能 ...............................................................................190
8.27 循环录制功能 ......................................................................................191
8.28 在极 端环境下进行拍摄 ........................................................................191
8.29 拍摄狂热的生命和野生动物 .................................................................193
第九章 调整拍摄的图像 ................................................................... 195
9.1 开始创建自己的画面风格 ......................................................................196
9.2 主消隐电平: 定义黑色 ...........................................................................197
9.3 标清的遗产 ............................................................................................198
9.4 了解你摄像机的动态范围 ......................................................................198
9.5 设置伽马值 ............................................................................................199
9.6 留意高光部分 ........................................................................................200
9.7 自动拐点 ................................................................................................200
9.8 控制色度 ................................................................................................201
9.9 色彩矩阵 ................................................................................................202
9.10 使用滤镜 ..............................................................................................203
9.11 物理滤镜 ..............................................................................................203
9.12 **后再考虑使用滤镜 ............................................................................204
9.13 为任务量身打造 ...................................................................................205
9.14 中密度滤镜（ND） ..............................................................................205
9.15 偏光滤镜 ..............................................................................................206
9.16 天空的控制 ..........................................................................................207
9.17 高对比度的困惑 ...................................................................................208
9.18 柔光滤镜 ..............................................................................................209
9.19 CHRISTIAN DIOR 来帮忙 ....................................................................212
9.20 遮光斗 .................................................................................................212
9.21 如何叠加滤镜 ......................................................................................214
9.22 暖色滤镜 ..............................................................................................215
9.23 雾化滤镜 ..............................................................................................215
9.24 后期制作 ..............................................................................................215
9.25 根据需要选择后期插件 ........................................................................216
9.26 颜色校正 ..............................................................................................217
9.27 拍摄者要对自己负责！ ........................................................................219
第十章 照亮你的故事 ...................................................................... 221
10.1 由小见大 ..............................................................................................222
10.2 拍摄者必须能独当一面 ........................................................................224
10.3 LED 照明时代已经来临 ........................................................................225
10.4 HMI 照明：昂贵但物有所值 ................................................................227
10.5 荧光灯和绿光瘟疫 ...............................................................................228
10.6 大范围柔光 ..........................................................................................230
10.7 使用软光是关键 ...................................................................................230
10.8 选择软光 ..............................................................................................231
10.9 控制溢光 ..............................................................................................232
10.10 柔光的艺术 ........................................................................................232
10.11 色纸 ...................................................................................................233
10.12 标准布光 ............................................................................................234
10.13 正面和中间照明 .................................................................................235
10.14 用好辅助光 ........................................................................................235
10.15 机载照明灯 ........................................................................................236
10.16 分层照明 ............................................................................................237
10.17 给绿屏照明 ........................................................................................237
10.18 绿屏为什么是绿色？ ..........................................................................238
10.19 绿屏的替代品 ....................................................................................240
10.20 照明控制 ............................................................................................240
10.21 镂板 ...................................................................................................241
10.22 束光筒 ...............................................................................................242
10.23 固定工具 ............................................................................................243
10.24 胶带 ...................................................................................................243
10.25 百宝囊 ...............................................................................................244
10.26 照明= 手艺+ 创意 ............................................................................245
第十一章 支撑起你的故事 ............................................................... 249
11.1 云台 .....................................................................................................250
11.2 三脚架 .................................................................................................253
11.3 其他摄像机支撑系统 ............................................................................255
11.4 安装在任何地方 ...................................................................................260
11.5 你拍故你在 ..........................................................................................260
第十二章 聆听你的故事 ...................................................................263
12.1 没有录音师？ ......................................................................................264
12.2 录音建议 ..............................................................................................264
12.3 差劲的连接= 差劲的声音 ....................................................................265
12.4 平衡音频 ..............................................................................................266
12.5 调音台 .................................................................................................267
12.6 设置音频电平 ......................................................................................268
12.7 麦克风 .................................................................................................269
12.8 枪式麦克风（指向式麦克风） .............................................................269
12.9 无线连接 ..............................................................................................270
12.10 话筒挑杆 ............................................................................................271
12.11 音频降噪 ............................................................................................272
12.12 双系统录音：有必要吗？ ..................................................................272
12.13 环绕声 ...............................................................................................273
12.14 有时候“凑合”也不错 ......................................................................274
第十三章 顺应潮流 .........................................................................277
13.1 不再只有一种工作流程 ........................................................................278
13.2 MXF 的前景 .........................................................................................279
13.3 元数据之美 ..........................................................................................280
13.4 现在我们不必那么担忧了 ....................................................................281
13.5 SSD 的出现 .........................................................................................282
13.6 代理视频与iPhone ..............................................................................283
13.7 输出你的故事 ......................................................................................284
13.8 DVD 的衰落 .........................................................................................285
13.9 关注图像编码 ......................................................................................286
13.10 编码器的性格 ....................................................................................287
13.11 被诅咒的问题场景 .............................................................................287
13.12 视频降噪势在必行 .............................................................................288
13.13 了解编码模式 ....................................................................................289
13.14 BLU-RAY 蓝光，还有谁？ ................................................................289
13.15 来到云端 ............................................................................................290
13.16 归档的挑战 ........................................................................................291
后记 世上并没有“一键优化到**好”功能 .......................................... 293
1. 谨慎对待炒作 .............................................................................................294
2. 拒绝复杂 ....................................................................................................295
3. 观影的未来 .................................................................................................296
4. 变革已经到来 .............................................................................................296
5. 这是个弱肉强食的世界 ...............................................................................297
1.1 观点 ...........................................................................................................2
1.2 不再追逐彩虹 ............................................................................................3
1.3 学会身兼数职 ............................................................................................4
1.4 掌握专业技能 ............................................................................................6
1.5 新观念 .......................................................................................................8
1.6 现在人人都是拍摄者 ..................................................................................8
1.7 雇用你的客户 ............................................................................................9
1.8 你已经拥有足够的能力 ............................................................................10
第 二章 让我给你讲个故事 .................................................................. 11
2.1 如何才能把故事讲好？ ............................................................................13
2.2 清楚自己影片的类型并确保观众们也知道 ...............................................13
2.3 你的海报什么样？ ...................................................................................15
2.4 了解自己的海报简述文字 ........................................................................16
2.5 积极面对条件限制 ...................................................................................17
2.6 电影成功的原因各异 ................................................................................18
2.7 你的相对优势 ..........................................................................................18
2.8 限制你的取景 ..........................................................................................19
2.9 了解自己摄影机的动态范围 .....................................................................20
2.10 在魔幻时刻拍摄 .....................................................................................21
2.11 真实性很重要 ........................................................................................21
2.12 故事永不停歇 ........................................................................................22
2.13 职业道德很重要 .....................................................................................23
第三章 用镜头讲故事 ....................................................................... 25
3.1 现在对作品的要求仍然很高 .....................................................................25
3.2 给世界加个框 ..........................................................................................26
3.3 排除，排除，排除！ ................................................................................27
3.4 让观众们受点儿苦 ...................................................................................28
3.5 独特的视角 ..............................................................................................32
3.6 模糊、隐藏和遮挡 ...................................................................................33
3.7 关于透视 ..................................................................................................34
3.8 箱式梁桥 ..................................................................................................36
3.9 三分法 .....................................................................................................37
3.10 黄金画幅比 ............................................................................................39
3.11 引起不适 ................................................................................................39
3.12 拍摄的地方是什么类型？ ......................................................................40
3.13 拥抱经典理论 ........................................................................................41
3.14 手艺很重要 ............................................................................................43
3.15 用特写讲故事 ........................................................................................44
3.16 迂回出击 ................................................................................................46
3.17 保持拍摄尺寸一致性 ..............................................................................46
3.18 视线的力量 ............................................................................................47
3.19 拍摄对象 .................................................................................48
3.20 故事里的故事 ........................................................................................49
3.21 学会用背景讲故事 .................................................................................50
3.22 我们都是说谎的骗子 ..............................................................................51
3.23 弄清楚自己想要什么 ..............................................................................52
3.24 与自我的人一起工作 ......................................................................54
第四章 摄影师的工具箱 .................................................................... 57
4.1 你有很多选择 ..........................................................................................57
4.2 摄像机的变革 ..........................................................................................58
4.3 扫描方式的选择 .......................................................................................61
4.4 2K、4K，以及更高的分辨率 ....................................................................63
4.5 努力突破技术局限 ...................................................................................64
4.6 了解你需要的知识 ...................................................................................65
4.7 技术问题当然重要 ...................................................................................66
4.8 世界的本质 ..............................................................................................66
4.9 脑中的处理器 ..........................................................................................67
4.10 让我们体验一下模拟 ..............................................................................67
4.11 改善数字记录的质量 ..............................................................................68
4.12 一些小知识 ............................................................................................69
4.13 10-bit 工作流程 ....................................................................................71
4.14 你的摄影机符合“10 分钟法则”吗？ ...................................................75
4.15 了解传感器 ............................................................................................77
4.16 在某种程度上，传感器尺寸很重要 ........................................................78
4.17 分辨率的诡计 ........................................................................................79
4.18 人类感知分辨率的极限 ..........................................................................81
4.19 这种数字游戏接近尾声了吗？ ...............................................................81
4.20 网格里的像素 ........................................................................................82
4.21 三片式传感器VS 单片式传感器 .............................................................83
4.22 为什么要压缩？ .....................................................................................84
4.23 出于实际考虑 ........................................................................................85
4.24 冗余，冗余 ............................................................................................86
4.25 你不会错过那些你看不见的东西 ............................................................87
4.26 帧间压缩与帧内压缩 ..............................................................................88
4.27 选择帧速率 ............................................................................................90
4.28 为什么帧频有些不靠谱—是24p 但又不是24p ..................................91
4.29 24p 的种种好处 .....................................................................................93
4.30 现在你能拍摄24p 了 .............................................................................93
4.31 如果你依然喜欢SD 标清 .......................................................................95
4.32 注意了，落伍者们！ ..............................................................................95
4.33 曾几何时 ................................................................................................96
第五章 用数码单反DSLR 讲故事 ...................................................... 99
5.1 性能的问题 ..............................................................................................99
5.2 它并不是摄像机 .....................................................................................100
5.3 不只是低光照能力 .................................................................................100
5.4 负荷削减 ................................................................................................101
5.5 参数设置 ................................................................................................103
5.6 果冻效应 ................................................................................................104
5.7 浅景深：是好事还是坏事？ ...................................................................105
5.8 操控方面的挑战 .....................................................................................106
5.9 监看与回放 ............................................................................................107
5.10 声音功能不健全 ...................................................................................108
5.11 开始工作 ..............................................................................................110
第六章 观察世界的窗口 ................................................................... 113
6.1 控制画面空间 ........................................................................................114
6.2 是否需要讨好拍摄对象 ..........................................................................115
6.3 创作工具 ..............................................................................115
6.4 推拉变焦拍摄 ........................................................................................117
6.5 警惕可疑的标称值 .................................................................................118
6.6 光学变焦VS 数码变焦 ...........................................................................120
6.7 更广、更远 ............................................................................................121
6.8 低档镜头的现状 .....................................................................................122
6.9 为何廉价的镜头看起来档次低？ ............................................................124
6.10 对小光孔说不 ......................................................................................125
6.11 为什么一体式摄像机通常能拍出更好的画面 ........................................125
6.12 色像差补偿 ..........................................................................................126
6.13 试着和你的普通镜头和平相处 .............................................................126
6.14 找到镜头的**佳性能区间 ....................................................................127
6.15 不靠谱的对焦环和变焦环 ....................................................................129
6.16 电影镜头 ..............................................................................................129
6.17 诱惑力和纠结的根源 ............................................................................130
6.18 过大的景深 ..........................................................................................130
6.19 镜头适配器 ..........................................................................................132
第七章 立体拍摄者 ......................................................................... 133
7.1 3D 立体的本质 .......................................................................................133
7.2 立体是一种技术障眼法 ..........................................................................135
7.3 深度线索 ................................................................................................136
7.4 平面视觉深度线索 .................................................................................137
7.5 立体视觉深度线索 .................................................................................139
7.6 轴距VS 瞳距 .........................................................................................141
7.7 汇聚面应该设置在哪儿？ ......................................................................143
7.8 立体摄像机设置 .....................................................................................145
7.9 避免“耐药性”问题 ..............................................................................146
7.10 屏幕尺寸重要 ...............................................................................148
7.11 正确获得视差 ......................................................................................149
7.12 窗口干涉 ..............................................................................................150
7.13 关于立体故事的思考 ............................................................................150
7.14 圆度因素 ..............................................................................................151
7.15 抛弃极 端的2D 拍摄方式 .....................................................................152
7.16 裸眼立体是大势所趋 ............................................................................154
7.17 立体就此止步了吗？ ............................................................................155
7.18 立体的后期制作与输出 ........................................................................156
7.19 立体再次来袭！ ...................................................................................158
7.20 2D 转3D .............................................................................................159
7.21 制片工艺的进化 ...................................................................................159
7.22 展现未曾见过的世界 ............................................................................160
第八章 掌握与控制 ......................................................................... 161
8.1 谁会需要全自动？ .................................................................................162
8.2 打倒自动曝光 ........................................................................................162
8.3 “中国姑娘” ........................................................................................165
8.4 驾驭波形图 ............................................................................................166
8.5 考虑快门问题 ........................................................................................167
8.6 同步快门 ................................................................................................168
8.7 帧速率与故事的关系 ..............................................................................169
8.8 聚焦在重要的对象上 ..............................................................................170
8.9 这些人并不是演员 .................................................................................170
8.10 分辨率越高对焦越难！ ........................................................................171
8.11 跟焦 .....................................................................................................173
8.12 故事的白平衡 ......................................................................................174
8.13 到底用不用预置白平衡 ........................................................................174
8.14 设置手动白平衡 ...................................................................................176
8.15 不可理喻的自动白平衡 ........................................................................177
8.16 自动黑平衡 ..........................................................................................178
8.17 没有增益，就没有痛苦 ........................................................................179
8.18 控制好噪点 ..........................................................................................180
8.19 时码的沼泽地 ......................................................................................181
8.20 串行数字接口与高清晰度多媒体接口 ..................................................183
8.21 互连性与视频流 ...................................................................................184
8.22 监看你的工作 ......................................................................................185
8.23 更长时间的续航 ...................................................................................186
8.24 驾驭杂乱的取景器 ...............................................................................188
8.25 逐格摄影与延时摄影 ............................................................................189
8.26 神奇的预录制功能 ...............................................................................190
8.27 循环录制功能 ......................................................................................191
8.28 在极 端环境下进行拍摄 ........................................................................191
8.29 拍摄狂热的生命和野生动物 .................................................................193
第九章 调整拍摄的图像 ................................................................... 195
9.1 开始创建自己的画面风格 ......................................................................196
9.2 主消隐电平: 定义黑色 ...........................................................................197
9.3 标清的遗产 ............................................................................................198
9.4 了解你摄像机的动态范围 ......................................................................198
9.5 设置伽马值 ............................................................................................199
9.6 留意高光部分 ........................................................................................200
9.7 自动拐点 ................................................................................................200
9.8 控制色度 ................................................................................................201
9.9 色彩矩阵 ................................................................................................202
9.10 使用滤镜 ..............................................................................................203
9.11 物理滤镜 ..............................................................................................203
9.12 **后再考虑使用滤镜 ............................................................................204
9.13 为任务量身打造 ...................................................................................205
9.14 中密度滤镜（ND） ..............................................................................205
9.15 偏光滤镜 ..............................................................................................206
9.16 天空的控制 ..........................................................................................207
9.17 高对比度的困惑 ...................................................................................208
9.18 柔光滤镜 ..............................................................................................209
9.19 CHRISTIAN DIOR 来帮忙 ....................................................................212
9.20 遮光斗 .................................................................................................212
9.21 如何叠加滤镜 ......................................................................................214
9.22 暖色滤镜 ..............................................................................................215
9.23 雾化滤镜 ..............................................................................................215
9.24 后期制作 ..............................................................................................215
9.25 根据需要选择后期插件 ........................................................................216
9.26 颜色校正 ..............................................................................................217
9.27 拍摄者要对自己负责！ ........................................................................219
第十章 照亮你的故事 ...................................................................... 221
10.1 由小见大 ..............................................................................................222
10.2 拍摄者必须能独当一面 ........................................................................224
10.3 LED 照明时代已经来临 ........................................................................225
10.4 HMI 照明：昂贵但物有所值 ................................................................227
10.5 荧光灯和绿光瘟疫 ...............................................................................228
10.6 大范围柔光 ..........................................................................................230
10.7 使用软光是关键 ...................................................................................230
10.8 选择软光 ..............................................................................................231
10.9 控制溢光 ..............................................................................................232
10.10 柔光的艺术 ........................................................................................232
10.11 色纸 ...................................................................................................233
10.12 标准布光 ............................................................................................234
10.13 正面和中间照明 .................................................................................235
10.14 用好辅助光 ........................................................................................235
10.15 机载照明灯 ........................................................................................236
10.16 分层照明 ............................................................................................237
10.17 给绿屏照明 ........................................................................................237
10.18 绿屏为什么是绿色？ ..........................................................................238
10.19 绿屏的替代品 ....................................................................................240
10.20 照明控制 ............................................................................................240
10.21 镂板 ...................................................................................................241
10.22 束光筒 ...............................................................................................242
10.23 固定工具 ............................................................................................243
10.24 胶带 ...................................................................................................243
10.25 百宝囊 ...............................................................................................244
10.26 照明= 手艺+ 创意 ............................................................................245
第十一章 支撑起你的故事 ............................................................... 249
11.1 云台 .....................................................................................................250
11.2 三脚架 .................................................................................................253
11.3 其他摄像机支撑系统 ............................................................................255
11.4 安装在任何地方 ...................................................................................260
11.5 你拍故你在 ..........................................................................................260
第十二章 聆听你的故事 ...................................................................263
12.1 没有录音师？ ......................................................................................264
12.2 录音建议 ..............................................................................................264
12.3 差劲的连接= 差劲的声音 ....................................................................265
12.4 平衡音频 ..............................................................................................266
12.5 调音台 .................................................................................................267
12.6 设置音频电平 ......................................................................................268
12.7 麦克风 .................................................................................................269
12.8 枪式麦克风（指向式麦克风） .............................................................269
12.9 无线连接 ..............................................................................................270
12.10 话筒挑杆 ............................................................................................271
12.11 音频降噪 ............................................................................................272
12.12 双系统录音：有必要吗？ ..................................................................272
12.13 环绕声 ...............................................................................................273
12.14 有时候“凑合”也不错 ......................................................................274
第十三章 顺应潮流 .........................................................................277
13.1 不再只有一种工作流程 ........................................................................278
13.2 MXF 的前景 .........................................................................................279
13.3 元数据之美 ..........................................................................................280
13.4 现在我们不必那么担忧了 ....................................................................281
13.5 SSD 的出现 .........................................................................................282
13.6 代理视频与iPhone ..............................................................................283
13.7 输出你的故事 ......................................................................................284
13.8 DVD 的衰落 .........................................................................................285
13.9 关注图像编码 ......................................................................................286
13.10 编码器的性格 ....................................................................................287
13.11 被诅咒的问题场景 .............................................................................287
13.12 视频降噪势在必行 .............................................................................288
13.13 了解编码模式 ....................................................................................289
13.14 BLU-RAY 蓝光，还有谁？ ................................................................289
13.15 来到云端 ............................................................................................290
13.16 归档的挑战 ........................................................................................291
后记 世上并没有“一键优化到**好”功能 .......................................... 293
1. 谨慎对待炒作 .............................................................................................294
2. 拒绝复杂 ....................................................................................................295
3. 观影的未来 .................................................................................................296
4. 变革已经到来 .............................................................................................296
5. 这是个弱肉强食的世界 ...............................................................................297
